He [ the son]'s grown up listening to all types of music, and the natural form of rebellion is to find the one genre that maybe he hasn't listened to and to make that his thing.

When you're younger, you get shoved a lot. You don't really have a say-so.

As an artist, everybody has the opportunity to celebrate and speak their truth.

I always have looked at "indie" as a term of "independence." Never associated a sonic gesture with that in the same way that pop music has always meant "popular" to me it didn't define a sound. And I think now that has been the context for things. If something is indie, it almost has this sonic association with it, or pop has become this term of shame almost, like, bubblegum sweet pop.

The Hadley Street Dream is a tribute to making a vision come to life. My father built a compound on a dessert city block, he saw something in that space we couldn't see. It was years later the album was born right there on Hadley St. He built the studio I started recording the album at.

I really don't listen to anyone that I'm not proud of saying that I listen to. Even if it's something a little bit more unexpected, I didn't get too deep into the Waka, Gucci records, but I like those with pride.

There's just so, so many overlooked R&B artists and I think it's really about, again, being sensitive to whatever you're addressing culturally. I just always try to have a sensitivity to it and what that might make someone feel.