I don't care about truth; I care about art and style and writing and occupying the wall. For me, my writing style is very linked to the fact that it is a work of art on the wall. I had to find a way to write in concise, effective phrases that people standing or walking into a room could read.

At my age, I know myself. If I make a project, it's a way to help me. I don't do it for therapeutic reasons, but I know that the therapy can be a side profit.

I don't care about truth; I care about art and style and writing and occupying the wall. For me, my writing style is very linked to the fact that it is a work of art on the wall. I had to find a way to write in concise, effective phrases that people standing or walking into a room could read.

Objects always meet your obsession. Once you have an obsession, you step on it at every corner.

Art is a way of taking distance. The pathological or therapeutic aspects exist, but just as catalysts.

For 'The Hotel' I spent one year to find the hotel, I spent three months going through the text and writing it, I spent three months going through the photographs and I spent one day deciding it would be this size and this frame...it's the last thought in the process.

I traveled for seven years, and when I came back home I was completely lost. I didn't know what to do with my life, so I decided to let people decide for me. For month I followed strangers on the street. For the pleasure of following, not because the party interested me. I photographed them without their knowledge, took note of their movements, and finally lost sight of them. At the end of January 1980, I chose a man and followed him to Venice. That's how I started. That's all.