I think if people looked at my body of work, they'd see a great breadth of work.

I don't really analyze my stuff when I write. I write about stuff that I'm interested in, that I'm feeling at that particular time. When I stand back and look at the complete work, I might see themes that run through the whole film, but I'm not really conscious of it when I'm doing it.

I really don't deal with hypotheticals.

I like to work with the same people when I can, and you want to get people with the same interests that you have, and the same aesthetic.

I wouldn't be doing motherfu**ing films for almost three decades if every time I did something that someone didn't like I went in a fu**ing cocoon and just hid there and didn't make my art.

I'm trying to keep up with what's happening in this turbulent world.

If we became students of Malcolm X, we would not have young black men out there killing each other like they're killing each other now. Young black men would not be impregnating young black women at the rate going on now. We'd not have the drugs we have now, or the alcoholism.