I make music to generate atmospheres, not to complement already existing ones.

I’ve started thinking about pure electronic music again. Something very melodic, very aggressive.

If it's a language you don't understand and you're not concerned with the meanings of the words, your impression comes from how the words look, particularly if the language uses different characters.

My history is really playing live - not writing or recording.

It's important for that to exist in a society that doesn't present you with any genuine problems.

My plan is if you come to the shows in the first run of dates the versions you'll hear live are quite close to the record. But because I can set this up identically afterwards in a hotel room I can actually work when I'm on the move. The aim is that all the pieces will have had substantial remixes and different parts added and subtracted.

I was starting to feel really suffocated, using the sequencer.