My history is really playing live - not writing or recording.

But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.

Your responsibility as an artist is to experiment.

I have a rough idea when I walk into a studio though.

Times of my life, brief periods without music, have completely felt dangerously over the edge.

If it's a language you don't understand and you're not concerned with the meanings of the words, your impression comes from how the words look, particularly if the language uses different characters.

I was starting to feel really suffocated, using the sequencer.