My plan is if you come to the shows in the first run of dates the versions you'll hear live are quite close to the record. But because I can set this up identically afterwards in a hotel room I can actually work when I'm on the move. The aim is that all the pieces will have had substantial remixes and different parts added and subtracted.

I'll alight upon words because I think they suggest any number of things.

I’ve started thinking about pure electronic music again. Something very melodic, very aggressive.

I was starting to feel really suffocated, using the sequencer.

But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.

The only way to find that territory is trying to keep your mind constantly open. That's the only way that you're ever going to see the sort of signs of where to go.

I'd say that it's important for music to be there that gives you a challenge, that rearranges things in your head.