My plan is if you come to the shows in the first run of dates the versions you'll hear live are quite close to the record. But because I can set this up identically afterwards in a hotel room I can actually work when I'm on the move. The aim is that all the pieces will have had substantial remixes and different parts added and subtracted.

There's a really rough and relatively consistent hierarchy of concerns. My musical interests come first and principally my fascination with how notes and rhythms interlock. Then comes the technical side like programming, instruments and designing instruments. Next is production and mixing and beyond that I start to care less.

I was starting to feel really suffocated, using the sequencer.

I'm starting to play all the melodies with kind of keyboard sound but playing it from the bass guitar.

I make music to generate atmospheres, not to complement already existing ones.

One of the more distant concerns is with the visual interpretation of the music. I find it fascinating but I don't always particularly get involved with it.

I don't know how many records I'm selling.