I think the best way is to forget about racing people and just find territory that's fresh.

The only way to find that territory is trying to keep your mind constantly open. That's the only way that you're ever going to see the sort of signs of where to go.

I have a rough idea when I walk into a studio though.

I want to change peoples' minds about music, I want to bring the really brutal experimental stuff to peoples' attention.

If it's a language you don't understand and you're not concerned with the meanings of the words, your impression comes from how the words look, particularly if the language uses different characters.

Times of my life, brief periods without music, have completely felt dangerously over the edge.

The main thing I’m into is going about on a bike, taking random routes; I’m really into the idea of making up journeys, and just seeing where they take you, because they always end up taking you someplace freaky.