But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.

I make music to generate atmospheres, not to complement already existing ones.

I like my stuff 'cause I only ever end up with tracks that I really, really like. It always appeals to me.

I’m not that interested in what people make of it, or how people consider me. That’s nothing to do with me.

People have often assumed that for music to be emotionally powerful it has to come directly from a human hand, whereas I disagree with that, and enjoy proving these people wrong. This project is an excellent way of exploring that area more.

I was starting to feel really suffocated, using the sequencer.

I’ve started thinking about pure electronic music again. Something very melodic, very aggressive.