Stereotyping and generating brands around musicians I think contributes to their eventual demise.

People have often assumed that for music to be emotionally powerful it has to come directly from a human hand, whereas I disagree with that, and enjoy proving these people wrong. This project is an excellent way of exploring that area more.

But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.

There's a really rough and relatively consistent hierarchy of concerns. My musical interests come first and principally my fascination with how notes and rhythms interlock. Then comes the technical side like programming, instruments and designing instruments. Next is production and mixing and beyond that I start to care less.

I love traveling. I love just going about on my own, feeling I have no roots.

I want to change peoples' minds about music, I want to bring the really brutal experimental stuff to peoples' attention.

Times of my life, brief periods without music, have completely felt dangerously over the edge.