Stereotyping and generating brands around musicians I think contributes to their eventual demise.

But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.

I couldn't find a group that wanted to do what I wanted to do. No one was really up for it.

I make music to generate atmospheres, not to complement already existing ones.

I don't know how many records I'm selling.

I think the best way is to forget about racing people and just find territory that's fresh.

My plan is if you come to the shows in the first run of dates the versions you'll hear live are quite close to the record. But because I can set this up identically afterwards in a hotel room I can actually work when I'm on the move. The aim is that all the pieces will have had substantial remixes and different parts added and subtracted.