A lot of my ideas come from McNally Jackson bookstore. One of my favorite things to do is just go there and look through architecture books and interior design books. Something about the aesthetics of space and beautiful images works with my brain.

I am trying my best to stay above the water. Right now ACID does not only offer animation. I offer real life productions as well and also compositing (animation composited into real life video)

The moment you're too apologetic about something and people know that something isn't finished, they listen/look for the mistakes or cracks, but if you act like it's done people experience things in a totally different way.

Many of my students learn different techniques online and I have learnt a lot using this medium. Art is picking up in the Caribbean but it's unfortunate that we still have people looking down on it. Many persons who don't know better think that having a career in art is a waste of time. I guess the public just needs to be educated some more.

I always loved cartoons but the process seemed so difficult. Then I told myself, "Nothing good comes easy." So, I took a plunge and started my first animation stint in 2003.

I didn't see [Luigi St. Omer] as a teacher. I saw him as a comrade I respected and I could go to see anytime something was bothering me. He was indeed my "big brother". He praised me when I did something exceptional and scolded me when I did things which were out of the way.

We need to understand that there is a process of learning and experience and success will stem from this. The painting represents life and the brushstroke represents the steps we take in life.