I met the guys at HeavyRoc through the drummer in St. Lucia, Nick Brown. He is Ben from The Knocks' cousin, and at the time we'd been doing some work together, but everything was still very much in the unsure developmental phase (even though I'd been in it for a year and a half). I told him that if he was going to play the music for anyone that he shouldn't say anything about it and should just play it and see if anyone says anything, and he did it one day at their studio and they loved it and got it touch.
St. LuciaI was very conceptual about what I was doing; I had the first five albums planned out, and all the songs on every album, and the artwork. I always had these ambitious musical projects in mind.
St. LuciaI didn't see [Luigi St. Omer] as a teacher. I saw him as a comrade I respected and I could go to see anytime something was bothering me. He was indeed my "big brother". He praised me when I did something exceptional and scolded me when I did things which were out of the way.
St. LuciaI was extremely frustrated, almost at the point of giving up on coming up with a name for the project (because I'm awful at it), when I decided to play the 'put a pen somewhere on a map with your eyes closed' game with South Africa. About the 5th try was St. Lucia in South Africa, which coincidentally also happens to be an idyllic sub-tropical seaside resort town. The name seemed to fit with the mood of the music, and so after a while it just stuck.
St. LuciaI labour over details and whether a song should be a straight pop song form or exploratory. This is the curse with doing things by yourself.
St. LuciaI had my first exhibition in September, 2012. This was when I first introduced the public to my style of the incorporation of cloth in my paintings. It was well received and everyone was fascinated with the work on display. I also invited other young aspiring artist to display they work which was also well received.
St. Lucia