None of my songs are written 'about' someone or something, they all just sort of tumble out unannounced, like the worst kind of house guest.

Generally I'll keep 95% of what I sing on that first scratch vocal take. Sometimes that idea will ferment for a long time, and sometimes I"ll be close enough to my studio and have enough time (kind of rare these days) to go and work on the idea. Not every song is super easy though.

A lot of my ideas come from McNally Jackson bookstore. One of my favorite things to do is just go there and look through architecture books and interior design books. Something about the aesthetics of space and beautiful images works with my brain.

There are literally endless options and possibilities, and often no clear or obvious path in how to make that choice, and nobody to tell you to go this way or that. But somehow, it works itself out if you trust in the process, which is often easier said than done.

Like, in retrospect, this whole Mini-Album is about itself, and the process of letting go of the fear of what people will think about the music or of me or whatever and just putting it out there. But none of that was intentional at all.

I met the guys at HeavyRoc through the drummer in St. Lucia, Nick Brown. He is Ben from The Knocks' cousin, and at the time we'd been doing some work together, but everything was still very much in the unsure developmental phase (even though I'd been in it for a year and a half). I told him that if he was going to play the music for anyone that he shouldn't say anything about it and should just play it and see if anyone says anything, and he did it one day at their studio and they loved it and got it touch.

[I] was always my dream to attend the Art Institute. I have always had this zeal to become the best that I can be and I saw that this institution will act as an avenue to me achieving that goal. I applied to the institution and got accepted based on my impressive portfolio.