I started playing guitar when I was 12 and probably from that age knew that I wanted to make music and make my own music. Playing with other bands like the Polyphonic Spree and Sufjan Stevens was more like an apprenticeship for me than anything.

It ought to be considered a great misfortune, not only for individuals, but also for Houses and Congregations, to have everything in conformity with their wishes; to go on quietly, and to suffer nothing for the love of God. Yes, consider it certain that a person or a Congregation that does not suffer and is applauded by all the world is near a fall.

And if I'm honest about it, I was obsessed with Nirvana and Pearl Jam. This is like '92, right in the throes of Soundgarden and Pearl Jam and Nirvana. I think I probably wanted to be Kurt Cobain.

The Church of Christ, zealous and cautious guardian of the dogmas deposited with it, never changes any phase of them. It does not diminish them or add to them; it neither trims what seems necessary now grafts things superfluous . . . but it devotes all its diligence to one aim: To treat tradition faithfully and wisely; to consolidate and to strengthen what already was clear; and to guard what already was confirmed and defined.

I grew up around a lot of various religions, so it's a part of my consciousness in a way. Everything from heavy Catholicism to followers of Indian spiritual masters to Unitarian universalists - all in one family. Though the family aspect was stronger than any particular dogma.

A song has a life of its own. It's an autonomous thing, separate from your own experience, almost. And the mere repetition of it means it's subject to change; it means approaching it differently, expressing different emotional aspects of it. It doesn't feel like wallowing.

In a really great way, you simultaneously try to take up as little and as much space as possible.