I like Spider-Man because he's become the most famous. He's the one who's most like me - nothing ever turns out 100 percent OK; he's got a lot of problems, and he does things wrong, and I can relate to that.

When I was a kid, I loved reading Sherlock Holmes. Now, you don't think of him as a superhero, but he was so damn much smarter than anybody else.

I never understood why people take drugs. They're habit forming and they can kill you. I didn't need anything to pep me up or make me feel more creative, and I didn't need them to help me with women.

The only advice anybody can give is, if you wanna be a writer, keep writing. And read all you can, read everything.

When you combine the great stories from the comics with the action and visual excitement of the movies, it doesn't get any better!

From 1940 to about 1960, I had been writing just regular comics, the way my publishers wanted me too. He didn't want me to use words of more than two syllables if I could help it. He didn't want me to waste time on worrying about good dialogue or characterization. Just give me a lot of action, lot of fight scenes.

The cliché I tried to avoid was I hated "teenage sidekicks." I always figured if I were a superhero, there's no way on God's earth that I'm gonna pal around with some teenager. So my publisher insisted I have a teenager in the series, because they always felt teenagers won't read the books unless there's a teenager in the story; which is nonsense.