When I was a kid, I loved reading Sherlock Holmes. Now, you don't think of him as a superhero, but he was so damn much smarter than anybody else.

I'm lucky. I don't have to produce the whole movie. What I've been doing is just coming up with ideas for movies. I write a concept, a treatment, an outline, and if I sell that to a studio, then someone else does the actual production and I go on to another project, although I keep the title executive producer.

Whosoever holds this hammer, if he be worthy, shall possess the power of Thor.

It's the fact that fans still care. I like all the comics conventions: The smaller ones are easier, the bigger ones are exciting.... Each one I say: Never again. But they're all great.... These things are important because they keep the fans' interest alive in comics. They keep the fans reading and their imaginations stimulated.

It's a tremendous challenge, because there have been so many characters created over the years. Every time you think you come up with a great name, you find out somebody has already done it. Dreaming up the stories isn't that hard, but coming up with a good title is the toughest part.

... And we talk it out. Lately, I've had Roy Thomas come in, and he sits and makes notes while we discuss it. Then he types them up, which gives us a written synopsis. Originally - I have a little tape recorder - I had tried taping it, but then I found no one on staff has time to listen to the tape again later. But this way he makes notes, types it quickly, I get a carbon, the artist gets a carbon ... so we don't have to worry that we'll forget what we've said.

I'm practically an actor. Even when you do an interview, it's like you're performing a little bit, so yeah, I'm enjoying it, it's fun.