It's the fact that fans still care. I like all the comics conventions: The smaller ones are easier, the bigger ones are exciting.... Each one I say: Never again. But they're all great.... These things are important because they keep the fans' interest alive in comics. They keep the fans reading and their imaginations stimulated.

I'm lucky. I don't have to produce the whole movie. What I've been doing is just coming up with ideas for movies. I write a concept, a treatment, an outline, and if I sell that to a studio, then someone else does the actual production and I go on to another project, although I keep the title executive producer.

I'm not that familiar with Andrew Garfield, but if the powers that be chose him, I'm sure he'll be good.

I never really am concerned about the political landscape of the day when I'm writing because no matter what it is, it will change. By the time my stories come out, it will have changed. So I never think much about that.

The comics of course, help the movies, because all of the comic fans want to see the movies. And the most amazing thing about it is these movies seem to appeal to young people, to old people, and to people all over the world. They're as popular in China and Latin America as they are here. That's really amazing and gratifying.

I'm just somebody who tries to write things that entertain people. And if I can do it in a way that makes them prefer to emulate the good guy than the bad guy, I'm happy.

To be honest, when I was writing these stories a million years ago, I never thought about movies at all one way or another. It would have seemed almost miraculous for these things to be movies someday. To me, they were just comic books that I hoped would sell so I could keep my job.