[On 9/11:] ... those towers represented human triumph over nature. Larger than life, built to be unburnable, they were the Titanic of our day. For them to burn and fall so quickly means that the whole superstructure we depend upon to mitigate nature and assure our comfort and safety could fall.

In the Craft, we do not believe in the Goddess - we connect with her; through the moon, the stars, the ocean, the earth, through trees, animals, through other human beings, through ourselves. She is here. She is within us all.

Magic is the craft of shaping, the craft of the wise, exhilarating, dangerous - the ultimate adventure. The power of magic should not be underestimated. It works, often in ways that are unexpected and difficult to control.

Only those who must bear the consequences of a decision have the right to make it.

Amory Lovins says the primary design criteria he uses is the question How do we love all the children? Not just our children, not just the ones who look like us or who have resources, not just the human children but the young of birds and salmon and redwood trees. When we love all the children, when that love is truly sacred to us in the sense of being most important, then we have to take action in the world to enact that love. We are called to make the earth a place where all the children can thrive.

The terrain of the mysteries is the ordinary. To seek out mystery, we don't have to go anywhere. We must simply change our preception, our description, our consciousness of where we are.

The image of the Goddess inspires women to see ourselves as divine, our bodies as sacred, the changing phases of our lives as holy, our aggression as healthy, our anger as purifying, and our power to nurture and create, but also to limit and destroy when necessary, as the very force that sustains all life. Through the Goddess we can discover our strength, enlighten our minds, own our bodies, and celebrate our emotions. We can move beyond narrow, constricting roles and become whole.