Amory Lovins says the primary design criteria he uses is the question How do we love all the children? Not just our children, not just the ones who look like us or who have resources, not just the human children but the young of birds and salmon and redwood trees. When we love all the children, when that love is truly sacred to us in the sense of being most important, then we have to take action in the world to enact that love. We are called to make the earth a place where all the children can thrive.

Spirituality promotes passivity when the domain of spirit is defined as outside the world. When this world is the terrain of spirit, we ourselves become actors in the story, and this world becomes the realm in which the sacred must be honored and freedom created.

Fascination with the psychic - or the psychological - can be a dangerous sidetrack on any spiritual path.

The Crone, the Reaper... She is the Dark Moon, what you don't see coming at you, what you don't get away with, the wind that whips the spark across the fire line. Chance, you could say, or, what's scarier still: the intersection of chance with choices and actions made before. The brush that is tinder dry from decades of drought, the warming of the earth's climate that sends the storms away north, the hole in the ozone layer. Not punishment, not even justice, but consequence.

There are two kinds of power. One is power over, which is always destructive, and the other is power from within, which is a transcendent and creative power.

Any ritual is an opportunity for transformation.

Those who would practice magic must be scrupulously honest in their personal lives. In one sense, magic works on the principle that 'it is so because I say it is so.' For words to take on such force, you must be deeply and completely convinced that it is identified with truth as you know it. To a person who practices honesty and keeps commitments, 'As I will, so mote it be' is not just a pretty phrase; it is a statement of fact.