Only poetry can address grief.

Fear doesn't go away but you walk toward fear naked and the gate opens.

[On 9/11:] ... those towers represented human triumph over nature. Larger than life, built to be unburnable, they were the Titanic of our day. For them to burn and fall so quickly means that the whole superstructure we depend upon to mitigate nature and assure our comfort and safety could fall.

Identifying as a Pagan, feminist, Witch, and anarchist is possibly a way to alarm great segments of the general public, but at least it keeps me from sinking into a boring and respectable middle age.

The test of a true myth is that each time you return to it, new insights and interpretations arise.

The Crone, the Reaper... She is the Dark Moon, what you don't see coming at you, what you don't get away with, the wind that whips the spark across the fire line. Chance, you could say, or, what's scarier still: the intersection of chance with choices and actions made before. The brush that is tinder dry from decades of drought, the warming of the earth's climate that sends the storms away north, the hole in the ozone layer. Not punishment, not even justice, but consequence.

Amory Lovins says the primary design criteria he uses is the question How do we love all the children? Not just our children, not just the ones who look like us or who have resources, not just the human children but the young of birds and salmon and redwood trees. When we love all the children, when that love is truly sacred to us in the sense of being most important, then we have to take action in the world to enact that love. We are called to make the earth a place where all the children can thrive.