On every full moon, rituals ... take place on hilltops, beaches, in open fields and in ordinary houses. Writers, teachers, nurses, computer programmers, artists, lawyers, poets, plumbers, and auto mechanics -- women and men from many backgrounds come together to celebrate the mysteries of the Triple Goddess of the Dance of Life. The religion they practice is called Witchcraft.

Magic has always been an element of Witchcraft, but in the Craft its techniques were practiced within a context of community and connection.

The image of the Goddess inspires women to see ourselves as divine, our bodies as sacred, the changing phases of our lives as holy, our aggression as healthy, our anger as purifying, and our power to nurture and create, but also to limit and destroy when necessary, as the very force that sustains all life. Through the Goddess we can discover our strength, enlighten our minds, own our bodies, and celebrate our emotions. We can move beyond narrow, constricting roles and become whole.

In the Craft the Goddess is not omnipotent. The cosmos is interesting rather than perfect, and everything is not part of some greater plan, nor is all necessarily under control.

Fear doesn't go away but you walk toward fear naked and the gate opens.

Amory Lovins says the primary design criteria he uses is the question How do we love all the children? Not just our children, not just the ones who look like us or who have resources, not just the human children but the young of birds and salmon and redwood trees. When we love all the children, when that love is truly sacred to us in the sense of being most important, then we have to take action in the world to enact that love. We are called to make the earth a place where all the children can thrive.

The long sleep of Mother Goddess is ended. May She awaken in each of our hearts - Merry meet, merry part, and blessed be.