How terrible this darkness was, how bewildering, and yet mysteriously beautiful!

Only that which points the human spirit beyond its own limitations into what is universally human gives the individual strength superior to his own. Only in suprahuman demands which can hardly be fulfilled do human beings and peoples feel their true and sacred measure.

Never can the innate power of a work be hidden or locked away. A work of art can be forgotten by time; it can be forbidden and rejected but the elemental will always prevail over the ephemeral.

But the creative person is subject to a different, higher law than mere national law. Whoever has to create a work, whoever has tobring about a discovery or deed which will further the cause of all of humanity, no longer has his home in his native land but rather in his work.

Never is a historic deed already completed when it is done but always only when it is handed down to posterity. What we call "history" by no means represents the sum total of all significant deeds.... World historyonly comprises that tiny lighted sector which chanced to be placed in the spotlight by poetic or scholarly depictions.

Besides, isn't it confoundedly easy to think you're a great man if you aren't burdened with the slightest idea that Rembrandt, Beethoven, Dante or Napoleon ever lived?

Human life is so strangely constituted that even perfected intellectual understanding combined with the richest experience is incapable of conquering innate weaknesses. Even if it thoroughly analyzes itself, psychology (and this is one of the dubious aspects of psychoanalysis) can, to be sure, recognize its flawed native characteristics, but it cannot eliminate them. Understanding (them) is not the same as overcoming (them) and, again and again, we see the wisest of human beings helpless in the fact of their small follies which everyone else observes with a smile.