As time progressed, my songwriting developed out of my bass, because that's all I could do. I decided to take it as far as it could go and to use my skill as a tool.

Japoneese people take themselves very serious and you can see it by everything they do - it's like a different part of the scale or spectrum in being a human, and it's something we're not used to seeing in America. And then when you see it, you do have the moments of infatuation; you get caught up in it, but there's so much more to it.

As time progressed, my songwriting developed out of my bass, because that's all I could do. I decided to take it as far as it could go and to use my skill as a tool.

I think anytime you set out to start doing something, it's always a difficult thing. It's a theory of a blank sheet of paper, for an artist; It's a challenge to put yourself in that position in life, and even in your mind, to put the two together. But you have to, and so that's what you do. I tend to look at it as less than a problem than a process.

Growing up playing jazz and improvising has had a big impact on me, and it translates into my music.

I remember swallowing my tooth up in a high chair, but I definitely don't remember the first time I played bass. It was like, back there!

I couldn't tell how many times I've been to Japan off the top of my head, I just have a few standout moments that were very defining and inspirational at different parts of my life. As far as moving there, I don't know. That's a tall order there. I feel there's people that go so far as to do that, and good for them, but I just can't. For me it's not a misplaced passion or a weird infatuation - it's more like I've just had a good chance to realize how immensely their art has affected our American culture, and I don't take it for granted. I've got a very big appreciation.