I was pretty spoiled growing up, creatively and artistically; we were exposed to a lot of different things. I remember watching my brother's friends struggle to get to the level he was at musically and wondering why they were having such a hard time.

You don't have to just hit nails with hammers, you know; you can use a hammer to beat somebody's brains in, to make armor or break a car window. You can do all kinds of things with your instrument outside of its surface purpose. My bass is my crutch but the best crutch I could have.

I was pretty spoiled growing up, creatively and artistically; we were exposed to a lot of different things. I remember watching my brother's friends struggle to get to the level he was at musically and wondering why they were having such a hard time.

I remember swallowing my tooth up in a high chair, but I definitely don't remember the first time I played bass. It was like, back there!

When I was younger, I was always a musician that could play by ear better than I could analytically.

I don't know if I can handle living in Tokyo. I feel like the culture shock would be so intense, especially with the service industry in America - you can't make up for that. Once you get a chance to travel a lot, you start to realize when that waitress comes back and asks you if you want some more to drink, that's an important moment. Nobody else does that!

I couldn't tell how many times I've been to Japan off the top of my head, I just have a few standout moments that were very defining and inspirational at different parts of my life. As far as moving there, I don't know. That's a tall order there. I feel there's people that go so far as to do that, and good for them, but I just can't. For me it's not a misplaced passion or a weird infatuation - it's more like I've just had a good chance to realize how immensely their art has affected our American culture, and I don't take it for granted. I've got a very big appreciation.