I just think it's bad when a boy looks at a girl and thinks that the way he sees her is better than she actually is. And I think it's bad when the most honest way a boy can look at a girl is through a camera.

And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.

I don't know how much longer I can keep going without a friend. I used to be able to do it very easily, but that was before I knew what having a friend was like.

When I did a study of all the coming-of-age movies that meant a lot to me, whether it was 'The Graduate' or 'Rebel Without a Cause' or 'Dead Poet's Society,' they all had that timeless feel. None of them were completely married to the details of their age. They felt timeless in their treatment of it. That's what made them resonate with me.

Sam dropped me off. When she was too far away to see me, I started to cry again. Because she was my friend again. And that was enough for me.

I can see it. This one moment when you know you’re not a sad story. You’re alive. And you stand up and see the lights and the buildings and everything that makes you wonder. And you’re listening to that song in that drive with the people you love most in this world. And in this moment I swear… we are infinite.

But Mary Elizabeth felt different. She kept saying it was an "articulate" film. So "articulate." And I guess it was. The thing is, I didn't know what it said even if it said it very well.