When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.

When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.

Starting in 98 when I was researching Traffic, I got to meet really serious people in Washington, which for a screenwriter was kind of a great gift. And I really valued these guys; I stayed in touch with them, and I find their point-of-view quite interesting.

War and, apparently, hurricanes are very good for the oil business. But I've got to believe at a certain point, as a nation, we're going to go in a different direction toward an increased sense of personal responsibility, a lowering of each individual's carbon footprint and a real collaborative effort to help sustain our planet.

It's rare in Hollywood to get the chance to work on something that you actually care about. The tragedy of the place is all these talented people trying to get excited about stuff they themselves would only view at gunpoint.

I came to Hollywood originally writing comedy and writing satire.

The average development time for a Hollywood movie is nine years. Nine years for a studio film. And a lot of what you do is abstract.