I think the War on Terror has succeeded in creating more terror, more terrorists, a less safe America, and a less safe world.

Starting in 98 when I was researching Traffic, I got to meet really serious people in Washington, which for a screenwriter was kind of a great gift. And I really valued these guys; I stayed in touch with them, and I find their point-of-view quite interesting.

The average development time for a Hollywood movie is nine years. Nine years for a studio film. And a lot of what you do is abstract.

When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.

I came to Hollywood originally writing comedy and writing satire.

It's rare in Hollywood to get the chance to work on something that you actually care about. The tragedy of the place is all these talented people trying to get excited about stuff they themselves would only view at gunpoint.

As I got into my teens, I started reading better books, beginning with the Beats and then the hippie writers, people like Wallace Stegner up in Northern California, and all the political New Journalism stuff, the Boys on the Bus dudes and Ken Kesey.