I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid.

Each environment has its own signature. Sound tells a story: You make choices about what you're hearing, where to look, how you want to feel about what's going on.

To be able to rely completely on the actors was a very simple process for me.

Dark impulses certainly exist in me and, I think, in most people.

I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid.

I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light, hand-held cameras, split screens, sound that isn't always what it should be, to suit the reality of the premise.

I've never seen, heard, nor smelled an issue that was so dangerous it couldn't be talked about. Hell yes, I'm for debating anything!