There's no attempt to manipulate the audience. We made our choice at the start.
Dark impulses certainly exist in me and, I think, in most people.
To be able to rely completely on the actors was a very simple process for me.
I've always been a bit of a sound freak in the movies I've done.
We shoot double episodes in 15 days in Los Angeles.
I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light, hand-held cameras, split screens, sound that isn't always what it should be, to suit the reality of the premise.