... each with its own beauty, and each with a story to tell.

The only universal attribute of scientific statements resides in their potential fallibility. If a claim cannot be disproven, it does not belong to the enterprise of science.

The history of life is more adequately represented by a picture of 'punctuated equilibria' than by the notion of phyletic gradualism. The history of evolution is not one of stately unfolding, but a story of homeostatic equilibria, disturbed only 'rarely' (i.e. rather often in the fullness of time) by rapid and episodic events of speciation.

We are here because one odd group of fishes had a peculiar fin anatomy that could transform into legs for terrestrial creatures; because the earth never froze entirely during an ice age; because a small and tenuous species, arising in Africa a quarter of a million years ago, has managed, so far, to survive by hook and by crook. We may yearn for a ‘higher answer’– but none exists

Orchids manufacture their intricate devices from the common components of ordinary flowers, parts usually fitted for very different functions. If God had designed a beautiful machine to reflect his wisdom and power, surely he would not have used a collection of parts generally fashioned for other purposes. Orchids were not made by an ideal engineer; they are jury-rigged from a limited set of available components. Thus, they must have evolved from ordinary flowers.

The basic formulation, or bare-bones mechanics, of natural selection is a disarmingly simple argument, based on three undeniable facts (overproduction of offspring, variation, and heritability) and one syllogistic inference (natural selection, or the claim that organisms enjoying differential reproductive success will, on average, be those variants that are fortuitously better adapted to changing local environments, and that these variants will then pass their favored traits to offspring by inheritance).

People are storytelling creatures. We like stories that go somewhere, and therefore we like trends - because trends are things that either get better or get worse, so we can either rejoice or lament. But we mistakenly depict many things as trends moving in some direction. We take the "full house" of variation in a system and try to represent it as a single number, when in fact what we should be doing is studying the variation as it expands and contracts. If you look at the history of the variation in all its complexity, then you see there's no trend.