A change is as good as a rest.

I go where the story leads. And, sometimes, it is a little bit outrageous. And I relish that. I sort of want to be as much on the edge as I can.

Explanations are such cheap poetry.

Ka works and the world moves on.

Writers write. That's all it is. It is as simple, and as complex, as that.

I would say plotting is the most difficult thing for me. Characterization is only hard because sometimes I feel I get so interested in it that I want to talk too much about the characters and that slows the story down. So I say, "Hey, people want to find out what's going to happen next, they don't want to listen to you spout off about this or that person." But I think even the bad guy deserves to tell his side of the story.

If I kept saying it; if I kept reaching out. My accident really taught me just one thing: the only way to go on is to go on. To say 'I can do this' even when you know you can't.