There are really very few economies of scale in centralising or standardising advertising.

The story is the only thing that's important. Everything else will take care of itself. It's like what bowlers say. You hear writers talk about character or theme or mood or mode or tense or person. But bowlers say, if you make the spares, the strikes will take care of themselves. If you can tell a story, everything else becomes possible. But without story, nothing is possible, because nobody wants to hear about your sensitive characters if there's nothing happening in the story. And the same is true with mood. Story is the only thing that's important.

A lot of us grow up and we grow out of the literal interpretation that we get when we're children, but we bear the scars all our life. Whether they're scars of beauty or scars of ugliness, it's pretty much in the eye of the beholder.

I’m convinced that fear is at the root of most bad writing. Dumbo got airborne with the help of a magic feather; you may feel the urge to grasp a passive verb or one of those nasty adverbs for the same reason. Just remember before you do that Dumbo didn’t need the feather; the magic was in him.

Doubters will doubt to the end.

The rope by which the great blocks of taxes are attached to any citizenry is simple loyalty.

Rage-the biggest, truest rage of her adult life-had invaded her like a fever, but it wasn't like any fever she had known previously. It circulated like weird serum, cold on the right side of her body, then hot on the left, where her heart was. It seemed to come nowhere near her head, which remained clear.