The story is the only thing that's important. Everything else will take care of itself. It's like what bowlers say. You hear writers talk about character or theme or mood or mode or tense or person. But bowlers say, if you make the spares, the strikes will take care of themselves. If you can tell a story, everything else becomes possible. But without story, nothing is possible, because nobody wants to hear about your sensitive characters if there's nothing happening in the story. And the same is true with mood. Story is the only thing that's important.

How do we remember to remember? That's a question I've asked myself often since my time on Duma Key, often in the small hours of the morning, looking up into the absence of light, remembering absent friends. Sometimes in those little hours I think about the horizon. You have to establish the horizon. You have to mark the white. A simple enough act, you might say, but any act that re-makes the world is heroic. Or so I've come to believe.

I think reality is thin, you know, thin as lake ice after a thaw, and we fill our lives with noise and light and motion to hide that thinness from ourselves.

Let me tell you something my friend. Hope is a dangerous thing. Hope can drive a man insane.

People think that I must be a very strange person. This is not correct. I have the heart of a small boy. It is in a glass jar on my desk.

I understand from my own work that haste makes waste. But I also understand that ... the creative spark dims, and then death puts it out. William Shakespeare, for instance, hasn’t produced a new play for 400 years. That, my friends, is a long dry spell.

I feel better in my mind because I'm doing what God made me to do. He said, 'Go write books, Steve, and you'll be happy.' I'm happy now, and that has had an effect on my life and my relationship with my wife and kids and even my friends. I've always wanted to be a writer.