I'm a situational writer. You give me a situation, like a writer gets in a car crash, breaks his leg, is kidnapped by his number-one fan, and is kept in a cabin and forced to write a book - everything else springs from there. You really don't have to work once you've had the idea. All you have to do is kind of take dictation from something inside.

All you imagined, no matter how wild it might seem, was no more than a disguised version of what you already knew.

If there is love, smallpox scars are as pretty as dimples. - Japanese Proverb

A book is like a pump. It gives nothing unless first you give to it. You prime a pump with your own water, you work the handle with your own strength. You do this because you expect to get back more than you give.

To me, the greatest thing in the world is downloading TV shows on iTunes because there are no commercials, and yet if I were a working stiff, I could never afford to do this. But I don't even think about money.

Write with the door closed, rewrite with the door open. Your stuff starts out being just for you, in other words, but then it goes out. Once you know what the story is and get it right — as right as you can, anyway — it belongs to anyone who wants to read it. Or criticize it.

Until that afternoon in October four years ago, I hadn't known dogs could scream.