This is probably the single great subject of horror fiction: our need to cope with a mystery that can be understood only with the aid of a helpful imagination.

And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you've said at all, or why you thought it was so important that you almost cried while you were saying it.

A lot of authority figures want to be good. I sense that, and yet at the same time I sense that authority, after a while, always leads to some kind of oppression. When the minority report comes in, what you do is run the minority out of town with a flaming cross. It's just the way things are.

Time takes it all, whether you want it to or not. Time takes it all, time bears it away, and in the end there is only darkness. Sometimes we find others in that darkness, and sometimes we lose them there again.

Talent is a dull knife that will cut nothing unless it is wielded with great force.

Homesickness is not always a vague, nostalgic, almost beautiful emotion, although that is somehow the way we always seem to picture it in our mind. It can be a terribly keen blade, not just a sickness in metaphor but in fact as well. It can change the way one looks at the world; the faces one sees in the street look not just indifferent but ugly... perhaps even malignant. Homesickness is a real sickness--the ache of the uprooted plant.

I like to think that good people win. But even good people have other sides. Most people will slow down to get a good look at an accident, even though they won't admit it.