The idea that creative endeavor and mind-altering substances are entwined is one of the great pop-intellectual myths of our time.

When it comes to horror there's a strange need to analyze. When "evil children" fad happened, there was The Exorcist and The Other and The Omen. People would say, "What this really means is that Americans don't want to have kids anymore. They feel hostility towards their own children. They feel they're being tied down and dragged down." In fact, in most cases, what those books are about is nice children who are beset by forces beyond their control.

I don't want to sound like an ad, a public service ad on TV, but the fact is if you can read, you can walk into a job later on. If you don't, then you've got, the Army, Iraq, I don't know, something like that. It's, it's not as bright. So, that's my little commercial for that.

Sometimes human places, create inhuman monsters.

As with all other aspects of fiction, the key to writing good dialogue is honesty.

The man in black smiled. "Shall we tell the truth then, you and I? No more lies?" I thought we had been." But the man in black persisted as if Roland hadn't spoken. "Shall there be truth between us, as two men? Not as friends, but as equals? There is an offer you will get rarely, Roland. Only equals speak the truth, that's my thought on't. Friends and lovers lie endlessly, caught in the web of regard. How tiresome!

I think the best stories always end up being about the people rather than the event, which is to say character-driven.