Too often, in novels that are speculative, God is a kind of kryptonite, and that's about all that it is, and it goes back to Dracula, where someone dumps a crucifix in Count Dracula's face, and he pulls away and runs back into his house. That's not religion. That's some kind of juju, like a talisman.

Until we see each other again, keep your head together, read some good books, be useful, be happy.

Later, going home, I realized they didn't look alike at all; what made them seem to was the aftermath of stress and the lingering of sorrow. It's strange how pain marks our faces, and makes us look like family.

The story is the only thing that's important. Everything else will take care of itself. It's like what bowlers say. You hear writers talk about character or theme or mood or mode or tense or person. But bowlers say, if you make the spares, the strikes will take care of themselves. If you can tell a story, everything else becomes possible. But without story, nothing is possible, because nobody wants to hear about your sensitive characters if there's nothing happening in the story. And the same is true with mood. Story is the only thing that's important.

Coincidences happen, but I've come to believe they are actually quite rare. Something is at work, okay? Somewhere in the universe (or behind it), a great machine is ticking and turning its fabulous gears.

Talent is a wonderful thing, but it won't carry a quitter.

The wind makes you ache is some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die - migrate or die.