I realized the shells were talking in a voice I recognized. I should have; it was my own. Had I always known that? I suppose I had. On some level, unless we're mad, I think most of us know the various voices of our own imaginations. And of our memories, of course. They have voices, too. Ask anyone who has ever lost a limb or a child or a long-cherished dream. Ask anyone who blames himself for a bad decision, usually made in a raw instant (an instant that is most commonly red). Our memories have voices, too. Often sad ones that clamor like raised arms in the dark.

I've put men to death-men with supposedly immortal souls-that looked dumber than that mouse

I don't spend the day writing. I'll maybe write fresh copy for two hours, and then I'll go back and revise some of it and print what I like and then turn it off.

His mother called such people ignorant and superstitious, but his father only shook his head slowly and puffed his pipe and said that sometimes old stories had a grain or two of truth in them and it was best not to take chances. It was why, he said, he crossed himself whenever a black cat crossed his path.

So where do the ideas-the salable ideas-come from? They come from my nightmares. Not the night-time variety, as a rule, but the ones that hide just beyond the doorway that separates the conscious from the unconscious.

Everybody wants to psychoanalyze horror. They don't want to psychoanalyze a book like Gay Talese's "Sex with Your Neighbor" [sic] or something like that. It's pretty much accepted that Americans should be interested in who they're diddling and how they're doing it.

It's a mystery. That's the first thing that interests me about the idea of God. If there is one, it's mysterious and powerful and awesome to even consider the concept, and you have to take it seriously.