You try to go where the great scripts are, if you can, or you go where the not great scripts are, because that's what's being offered to you.

My Hamlet was about as alienated as you can get. Mine was a bitter and lonely prince. Valid, I think, but maybe tough to root for. I think that romance was missing.

I don't think there is a role that I did twenty years ago that I couldn't do better now.

As you get older, stuff starts to wear down. I can't play four basketball games a week anymore. It takes me three days to recover from one. I'm a little older, a little scrappier. So now I do yoga instead. And whatever else happens in the day, I'm set up in the best way possible. I feel great. I'm so flexible.

I am very happy acting, and just have never gone at, or been bitten by the directing bug to the extent where I'm willing to put acting aside. If offered the opportunity, I think I could do a good job with the right material.

Hamlet, that's the only role there is, finally. The only role. After that, you settle down and only do the fun things on stage.

Occasionally, I have time to go to the theater, and I think for a minute, 'Man, I'd really love to be doing a play right now.' Because I loved doing plays when I was doing them. Then I think, 'I want to do it right now, but will I want to do that Sunday matinee in six weeks?'