I can't imagine a more profoundly exciting experience than I had working on 'Avatar.' And whether I'm ever part of it again, I'll always be very proud that I was a part of it.

I love scenes that are just emotional give and take. By the same token action sequences are great to do. They have their own unique demands and requirements. So I take it as it comes and hopefully you can get a good balance of all of that stuff.

I don't believe that being against the war can be equated with being non-supportive of our troops.

You try to go where the great scripts are, if you can, or you go where the not great scripts are, because that's what's being offered to you.

My favorite show from the '60s was 'Combat.' And maybe 'The Man From U.N.C.L.E.'

I get a lot of people coming up to me and saying, "I really hate you." And they say it in the nicest possible way and I accept it. It's the people who come up to you and say, "I really liked your character. Man, he was right!" Those are the ones you worry about.

You can play anyone if you're open enough. It's a form of possession. Each time you work on something, you allow yourself to be possessed by creating the environment for it. Then you allow the possession to happen - but not at the expense of your sanity or of your identity.