What has emerged as I've gotten older is simplifying the characters I play, unless the role calls for something that is arcane or ornate.

My Hamlet was about as alienated as you can get. Mine was a bitter and lonely prince. Valid, I think, but maybe tough to root for. I think that romance was missing.

You can play anyone if you're open enough. It's a form of possession. Each time you work on something, you allow yourself to be possessed by creating the environment for it. Then you allow the possession to happen - but not at the expense of your sanity or of your identity.

I don't believe that being against the war can be equated with being non-supportive of our troops.

I've been into weight training for many, many years and you add to that a good dose of cardio, don't overindulge, and you can do all right.

In a rehearsal room, your real resource as an actor aren't the things around you; your resources are your imagination and your director and the other actors. In those close quarters, your imagination and your skills are what you turn to.

When you want to learn about something, what is the first thing you do... you go to the internet.