My philosophy is, 'Show up, shut up, and do your job,' and if you do it to the satisfaction of your director and the public, you're likely to be able to do it again.

My philosophy is, 'Show up, shut up, and do your job,' and if you do it to the satisfaction of your director and the public, you're likely to be able to do it again.

On some level acting is the art of pretend and you have to have a highly cultivated sense of imagination. You have to be able to see things that aren't there no matter what aspect of acting, whether it's green screen, whether it's on stage, whether it's anything else, whether you're working on the radio.

I was relatively buff (before 'Avatar'), because I was working in a tanktop half the time on stage, anyway, but I just went kind of into hyperdrive after that and really worked to beat that old body into shape, to get that carcass where...I didn't want to be looking at it and see anything hanging where it shouldn't be hanging.

My advice to actors? To successful actors, it's, "sock it away," and unsuccessful actors, it's just, "Just keep at it. Don't do it unless you have to do it and if you have to do it, keep you've got to keep your instrument in shape. You just got to keep on getting better. If you're not getting better, you're standing still.

You can play anyone if you're open enough. It's a form of possession. Each time you work on something, you allow yourself to be possessed by creating the environment for it. Then you allow the possession to happen - but not at the expense of your sanity or of your identity.

As you get older, stuff starts to wear down. I can't play four basketball games a week anymore. It takes me three days to recover from one. I'm a little older, a little scrappier. So now I do yoga instead. And whatever else happens in the day, I'm set up in the best way possible. I feel great. I'm so flexible.