The narrative songs were well-written, like an article in The New Yorker. They're nice and pat. They're more like I'm just showing I can do that when I write a song like that. It's not my true calling.

We care if people like what we did. If you're just making records for yourself, why put them out and do all these interviews and do touring? I'm a huge music fan, and this is what I do with my artistic time. It's all I really do, except hang out with my family. I value human relationships, and it's a way for me to interact with the world and feel like I'm part of something.

I'm just kind of a hippie. Age is not that relevant to the music.

I don't know if you look back on your life and just see successes, but probably the first things that pop up are the regrets.

I know the world doesn't need maybe another of [a particular type of song] - the same thing again - but you can't help yourself. And some people like it, but you kind of know in your heart that it's a lesser version of what you've done before. But maybe it has a good tempo, or it feels fresh, but it's still not.

A good voice isn't so important. It's more important to sound really unique.

Every song has a different genesis, or feeling. Usually the lyrics, I don't really know what it's all about, I just kinda do it. I mean, there's a combination of, like you're saying, that kind of lyrics about commitment or vaguely relationship lyrics mixed with jokey 90s Beck-style non-sequiturs and stuff.