There's no point that an album should sound like a watered down version of another album.

It's just a compulsion to create something new and stay busy. I don't know how to do anything else. It was never exactly right. Those records came out in spite of their flaws. And because of their flaws they were good.

I never decided to start singing, to be a singer.

Maybe I don't have the patience to make a virtue of necessity - the patience to carry something all the way through, and to actually say something. Lately, the songs are more jagged and they don't really lend themselves to that. I just take it one bit at a time.

It's hard to think back. I didn't even know I was going to do it, make actual records. But I was always making up songs, once I figured out that you could do it. I think it's pretty much the same, but there's less urge to get it moving out there. There was a time when it seemed like it was really super important to the audience and now it's just medium-important for people to like us. But that's okay.

My wife is a big fan of George Oppen and I got into him. I could have a career like his. It's not an alpha male situation, George Oppen. It's quiet. It's poetry.He just lived a life of an intellectual poet.

In the early '90s, it felt like there was space - there was like an empty feel. There was nobody really doing this. Maybe the Pixies were, a little bit. Their lyrics were also disjointed, more psychosexual or something. That's part of youth, too, maybe, that you just feel like you're doing something different.