We're not on a desperate mission to write chart compatible stuff.

There's probably a certain confidence in your voice, or something, that is validated. You know what I mean? I'm just imagining if people didn't already say that you were cool, that you'd [have] more doubt in what you're doing. That's not so conscious, but that's part of my cosmology now.

A good voice isn't so important. It's more important to sound really unique.

When I was in high school, I was a late bloomer. And just like all those supermodels who said they were gawky and no one liked them, that was me - metaphorically. And so I was ready to rise like a phoenix in later times.

In the early '90s, it felt like there was space - there was like an empty feel. There was nobody really doing this. Maybe the Pixies were, a little bit. Their lyrics were also disjointed, more psychosexual or something. That's part of youth, too, maybe, that you just feel like you're doing something different.

There's no point that an album should sound like a watered down version of another album.

George Oppen wasn't a larger than life personality, but I'm not either. And he lived a long time, so he was happy. Going down in flames is fine, too.