We've always been journalists - and have seen ourselves in that way. But we sort of recontextualized it through music.

I think you have a certain level of confidence in what you do. "Arrogance" is the wrong word. I think when you go into it, you're aware that you're doing it for the right reasons - and you have your own moral and ethical code. And we weren't driven by money, but by a a desire to make music and make a statement.

We were iconoclastic. We weren't there to sort of follow the trends really. So it was important that we were making a statement against that.

I edited Big Funk, some of the footage was shot by Peter Care. We were film buffs as much as music buffs, and so there are film reference as well as sound references.

Looking back, I think we were very much a part of democratizing music, and we wanted to demystify the process of making music - to show it's a myth.

We were working in entertainment, in the music industry, with popular music, it was important, but it was something that we also felt was a responsibility.

I think probably underneath it all, film [Kino] has its own rhythm and its own dynamic, and we were trying to capture the movement of film and cross-reference it with music.