I know that people think of my work from the '70s as American, but I've been going to other places for a long time.

A lot of the photography I'm doing and thinking about is directed at Instagram.

I have to be reminded, “’It’s your son’s birthday party. Bring a camera.’ And then, when I’m there, ‘Take a picture,’ because it doesn’t occur to me to use it as this memorializing thing.

I know that people think of my work from the '70s as American, but I've been going to other places for a long time.

If I only try to solve the problems I set for myself, then I'm limited by what I can conceive of. I can't solve a problem I can't conceive. But if someone else gives me a visual problem, it can be out of the whole realm of my normal practice.

I don't have to have a single point of emphasis in the picture. It can be complex, because it's so detailed that the viewer can take time and read it, and look at something here, and look at something there, and they can pay attention to a lot more.

If you've met one person with autism, you've met one person with autism.