As not a native, I have the advantage of not seeing scenes habitually. I can see things fresh.

I don't have to have a single point of emphasis in the picture. It can be complex, because it's so detailed that the viewer can take time and read it, and look at something here, and look at something there, and they can pay attention to a lot more.

If you've met one person with autism, you've met one person with autism.

Even in ordinary reproduction [photography] verges on facsimile.

I realize that as I get more experience as I get older, my perception changes and that feeds the photograph.

The context in which a photograph is seen affects the meaning the viewer draws from it.

I had a creative hot streak in the 1940s and since then I’ve been pot boiling.