It should be interesting to see two entirely different ways to treat a story, geared for two entirely different kinds of audience.
Stephen SondheimWhen you know your cast well and their strengths and weaknesses, you can start writing for them, just the way Shakespeare wrote for his actors.
Stephen SondheimGenerally, the best recording is the original cast, because that's the way the piece grew: integrally, with them.
Stephen SondheimI was watching him crawl, Back over the wall-! Then bang! Crash! And the lightning flash! And- well, that's another story, Never mind- Anyway.
Stephen Sondheim