If you start out with a song sounding like Britney Spears, and you end up with a song sounding like Pauline Oliveros, you'd better have pretty good liner notes explaining what on earth you mean.

There's a whole kind of melancholy that you can only attain with reverb. That's an example of a technology introducing a whole new meaning.

I don't remember things initially when listening to music. Like, I don't remember where I first heard a song, I don't have nostalgic attachment to a song in that it reminds me of such and such a time or place. I think I probably did experience that somewhat when I was not a full-time, professional musician, but I don't think music works that way for people who are in it constantly.

Never try to do anything artistic when you're feeling something overwhelming. It's like driving a car: If you're experiencing road rage, pull over.

At first I was laboring under the impression that Chinese lyrics didn't rhyme. That turned out to be untrue - they don't rhyme in translation.

There are only so many instruments you can layer on top of each other that aren't perfectly electronically programmed. "Long Vermont Roads" just cannot be performed live, because it's just too cluttered if it's played by humans. Synthesizers stay out of each other's way in a way that hand-played instruments never can.

I write songs by sitting around in bars, so drinking songs are a little obvious. It's surprising that I don't write entirely drinking songs, since I am, in fact, drinking while writing the song. Drinking and love are the two principal sources of pleasure outside of music. There's only so many sources of pleasure, really. That's about it. Well, there are other arts as well. But none of them are as pleasurable as music, on a physical level.