I have . . . a deep concern with the development of a literature worthy of our past, and of our destiny; without which literature certainly, we can never come to much. I have a deep concern with the development of an audience worthy of such a literature.

People are starting to understand the other side's perspective and that's where empathy can sort of begin - once you quit judging other people but just understand where they're coming from.

Unfortunately I feel like a lot of the issues that the show [OJ Simpson ] was dealing with are still very much in the forefront of the American consciousness and the world consciousness today. Police misconduct was at the heart of the defense and Johnny Cochran did a masterful job at putting that defense at the forefront of the jury's conscience as opposed to the double homicide of Ron [Goldman] and Nicole [Brown Simpson].

My character [in This Is Us], Randall, was adopted. He'd never met either of his biological parents so he seeks out and finds his biological father after 36 years. So that's where we find my character at the beginning of the show.

I try not to get too high off the highs or too low off the lows.

We've actually seen Black man murders [in] many a major city in the United States - New York City, St. Louis, Missouri, from Cleveland to Baltimore. It was those sorts of incidents that were very much prevalent in the forefront of that jury's conscience that allowed them to believe that this man [O.J. Simpson] could have been set up.

[ This Is Us] is a character-driven dramedy, in which you will laugh. You may have to pull out your tissue box from time-to-time. But it will sort of reaffirm your desire to move forward in life. It's a very hopeful show.